No truer statement will you hear today.

Taken from Hyperactivitypography From A to Z, “an activity book for typographers illustrated in a nostalgic vintage style to give it a sweet and childlike look”, it’s the mantra they recommend cutting out and tacking up someplace you’ll see everyday. I’d suggest nothing less.

Click here to flip through the rest of the book, and don’t forget to visit it’s creators, Norway’s Studio 3.

[via Neatorama]

“Creativity can solve anything.”

We’re excited to present Art & Copy for a limited engagement to the area. You’ll be able to see it April 6th at the Grandin Theatre in Roanoke or April 7th at The Lyric in Blacksburg.

Seating is limited, contact ad2@ad2roanoke.org for advanced ticket sales.

Film Trailer after the jump.

Welcome to Ad2Roanoke’s first installment of “Career ADvice from…” a series of enlightening interviews with local (and not-so-local) creative professionals.

Our questionnaire was written in order to get helpful information for the big questions we all have as students and young professionals in the advertising industry. Hopefully, you’ll learn a bit more about what to do after graduating, what you can expect from your first job and get a personal look into the minds of some seasoned professionals. You’ll definitely want to come back and check out advice installments from art directors, interactive designers, copywriters, photographers, more creative directors and even a celebrity or two!

With that said, we’re kicking off the first edition with the big wigs, the masterminds behind most of the work that gets out of the door and, you’ll read, the people you’ll be getting coffee for your first six months: the Creative Directors.

In this article:

Tony PearmanJohn GreissmayerChris Henson

Tony Pearman
Chief Creative Officer
Access Advertising & PR

Credentials: BFA from Virginia Commonwealth University with an emphasis in Graphic Design.

How did you get your start in advertising?
Had a wonderful high school art teacher that directed and guided me toward VCU and what she called “commercial art”. She was a blessing.

What are the best and worst parts about your job?
Best? Clients. They inspire me, give me opportunity, pay me, trust me to represent them. Without clients none of it is possible or matters.
Worst? Clients. They hinder, inhibit and at times prevent the realization of great ideas. But, in their defense, it is their money.

What inspires you?
My local competitors. The other agencies (large and small) that I read about online and in publications. ADDYs. My peers at work. Movies, books, graffiti artists, furniture designers.

Who would you work with on your dream collaboration?
Banksy or Quentin Tarantino. Or both.

Name an advertising trend that drives you crazy.
The belief that every client should be on facebook. iStock.

Best ad campaign you’ve seen recently?
1. Obama’s Presidential Campaign 2. CumminsNitro Brisbane for ‘The Best Job in the World’ 3. BooneOakley’s website.

You’ve just completed school with an advertising degree. What is your next move?
1. Research your butt off about a city you either want or need to live in. Go there, what ever it takes. 2. Find the best firm in that town that fits your idea of what a great ad agency or design firm is supposed to be. 3. Work for them, at any cost, for free, as an intern, do whatever it takes. Get a job that sucks to pay the bills and keep trying till you get in that agency. The struggle and the heartache will be worth the lessons and the opportunities and growth a good agency offers a young designer. In twenty years you won’t remember that they didn’t pay you enough. Or that the hours sucked. Or if our apartment had roaches the size of Volkswagens. Or you missed your Mom or that guy or girl you ended up breaking up with anyway after they cheated on you. All you will remember is what you learned and how you grew.

What kinds of experience do you look for from college graduates?
In what ways can they give themselves the edge? 1. Conceptual thinking and problem solving. 2. Perfect craft. 3. Experience (as an intern ideally).

Similarly, what skill sets/experiences are necessary in an entry-level creative?
Basic software and Mac skill sets, including InDesign, Illustrator, Photoshop, etc. Any web capability. Again, great craft.

Briefly describe the content and size of the ideal portfolio for a designer?
No larger than 16×20. Ideally more like 11×14. 8-12 great pieces.

What kinds of starting salaries can one expect as a designer?
Depends on the firm and the town. In Roanoke? $25,000 to $35,000 depending upon talent.

Who would win in a fight: Lee Clow or Don Draper?
Lee Clow is arguably one of the greatest advertising minds in history. Draper could not carry Clow’s jock strap.

Please number from 1-6 the following, in order of least sexy to sexiest advertising profession (1 = you’d rather clean toilets, 6 = living the dream):
Creative Director – 6
Designer – 5
Photographer – 4
Web Designer – 3
Copywriter – 4
Account Executive – 1 (no offense, it’s just not what I aspire to be)

More from:

John GreissmayerChris Henson

]]> http://ad2roanoke.org/career-advice-from-creative-directors-pt-1/feed/ 3 http://ad2roanoke.org/cbs-pepsi-create-video-ad-to-run-in-print/ http://ad2roanoke.org/cbs-pepsi-create-video-ad-to-run-in-print/#comments Wed, 19 Aug 2009 20:18:54 +0000 Jessica Malave http://ad2roanoke.org/?p=175

Great read on www.adage.com by Brian Steinberg.

A creative genious at Omnicom has designed a paper thin video player insert that will run in Entertainment Weekly. Whoever said a print ad can’t be interactive?

This is awesome. Although it will only be available to subscribers in LA and NY, this is a great example that we have not thought of it all yet.

When Entertainment Weekly readers open the magazine to the ad pages, they will see a small screen flicker on and start to load a video. A brief segment featuring actors from “The Big Bang Theory” will explain how to use the player, while talking about features from Entertainment Weekly and the different video selections a reader can choose. By pressing one of five different buttons, readers can watch a video montage from “How I Met Your Mother,” a montage from “Two and a Half Men,” a humorous ad for Pepsi Max, a sneak preview of “Accidentally on Purpose” or a preview of new CBS dramas “NCIS: Los Angeles,” “The Good Wife” and “Three Rivers.”

Read the full article at http://adage.com/mediaworks/article?article_id=138546